BRADLEY McCALLUM & JACQUELINE TARRY

Live and work in New York

Education:

McCallum
1992 MFA, Sculpture, Yale University School of Art, New Haven, CT
1989 BFA, Sculpture, Virginia Commonwealth University, Richmond, VA

Tarry
2003 Whitney Independent Study Program, New York, NY
1986 BA, Philosophy, State University College at Buffalo, NY

Solo Exhibitions & Public Installations:

2004
Endurance, Marvelli Gallery, New York, NY

2003
Civic Endurance, Conner Contemporary Art, Washington DC

2000
Witness: Call Boxes Citywide Installation, ConjunctionArts, New York, NY,
The Madison Project, Madison Public High Schools, Madison, WI
In the Public Realm: Installations by Bradley McCallum, Elvehjem Museum of Art, University of Wisconsin Madison, Madison, WI

1999
Witness: Perspectives on Police Violence Documents: Public Projects by Bradley McCallum, Cathedral Church of St. John the Divine, New York, NY
Witness: Institute on Arts and Civic Dialogue Preview, Kings Chapel, Boston,MA

1998
Permanence of Memory, ICA at the Maine College of Art, Portland, ME
History Table: Gorhams Corner, Percent-for-Art Program, Portland ME

1996-97
The Manhole Cover Project: A Gun Legacy, Wadsworth Atheneum, Hartford CT
Transcending Silence: The Tubs Project, Albion College, Victory Park, Albion MI

1993
Aiding Awareness: Women's Stories, ARTSPACE Gallery, New Haven, CT, a collaboration with Class Action: The Art Collective For Community Action

1992
Shroud: Mother’s Voices A Memorial for Victims of Gun Violence in New Haven, CT,
MFA Thesis Show, Yale Art & Architecture Gallery, New Haven, CT

Group Exhibitions:

2003
Neuberger Museum of Art Biennial Exhibition of Public Art, Neuberger Museum of Art, Purchase, NY

2001
Collaborative Art Projects 2000, The Bronx Museum of the Arts, Bronx, NY

2000
Black and Blue, Zilkha Gallery, Wesleyan University, Wesleyan CT
Concerted Compassionism, White Columns, New York, NY
Onced Removed, Socrates Sculpture Park, Long Island City, NY
Group Show, MoCADA Museum, Brooklyn, NY

1999
Mumia 911, Refuse and Resist, New York, NY

1998
Inspired Fear, Erector Square Gallery, New Haven, CT

1996
Incestuous, Thread Waxing Space, New York, NY
In Our Sights: Artist Look at Guns, Sight Specific Installation of Shroud: Mothers Voices, UCR California Museum of Photography, Riverside CA

1995
Crime and Punishment, Philadelphia Art Alliance, Philadelphia, PA
Arresting Images, Gallery 400 at the University of Illinois at Chicago
Reinventing the Emblem, Yale Art Gallery, New Haven, CT
Strokes of Genius: Mini Golf by Artist, DeCordova Museum, Lincoln, MA a collaboration
with Dawoud Bey

1993
Small Works, ARTSPACE Gallery, New Haven, CT
Art and Ethics, Sawtooth Center for Art, Winston Salem, NC
Re-enchanting Art, Multi Media Installation, Cardinal Gallery, Annapolis, MD


Public Projects

1998-2000
Witness: Perspectives on Police Violence, New York, NY

1999-2000
The Madison Project, Madison, WI

1995-1997
The Manhole Cover Project: A Gun Legacy, Hartford, CT

1994-1998
Surviving Memories: Dedicated to Homicide Victims, Detroit, MI

1992-1993
Shroud: Mother s Voices: A Memorial for Victims of Gun Violence, New Haven, CT

Selected Bibliography:

2000
Smith, Roberta, Stretching Definitions of Outdoor Sculpture, The New York Times, (July 28, 2000), E27-29
Phillips, Patricia, Bradley McCallum, Cathedral Church of St John the Divine Sculpture (June, 2000), Page 71-72
Tyree, Joshua, After the Violence, Art, Isthmus, (June 16,2000), Page 22
Koenig, Janet, Evidence of Blue Afterimage (March/April 2000), Page 12
Cameron, Dan, The one Who Sees In the Public Realm, Catalogue Essay, Elvehjem Museum of Art, (May, 2000)
Lynch, Kevin, Melted guns, ghostly silk yield wrenching art., The Capital Times, (May 24, 2000), C1
Aehl, John, Out of Violence, Art, Wisconsin State Journal, (April 30), F1-5

1999
Ebony, David, NYCLU Hires Artist-in-Residence, Art in America, (April, 1999), Front Page
Gardner, R., NYCLU Arts Initiative to Address Police Brutality, The New York Observer, (February 22, 1999)
Brickman, Paul, Envisioning a World Without Brutality, Wisconsin State Journal, (January 19, 1999), Front Page

1998
Lippard, Lucy, The Consequences of Memory, Catalogue Essay, ICA at the Maine College of Art, (August, 1998)
Bloomer, Kent, The Making of Memorials, Catalogue Essay, ICA at the Maine College of Art, (August, 1998)
Bessire, Mark H. C., Museum as Site, Catalogue Essay, ICA at the Maine College of Art, (August, 1998)
Birke, Judy, Fears exposed, examined in inspired exhibit, New Haven Register, (September 13, 1998), G2
Firestone, David, Artist Gives Form to Free Speech, The New York Times, (November 17, 1998), Public Lives-Metro Section

1997
Lippard, Lucy, The Lure of the Local, (New York, The New Press, 1997), Page 282
Phillips, Patricia, Bradley McCallum, Sculpture, (May - June 1997), Page 62-64
Ebony, David, Swords Into Plowshares, Art in America, (January 1997), Front Page
Eiseman, Alberta, Sam, Elizabeth and the Victims of Guns, The New York Times, (Sunday, January 12, 1997), cn23

1996
Condon, Tom, Guns-to-Covers A Great Idea, The Hartford Courant, (September 1, 1996), Sec. B page 1
Hanley, Christine, Guns to Manhole Covers, Associated Press, (October 18, 1996), front page w/ photo
Keedle, Jane, A Legacy of Violence, The Hartford Advocate, (October 17, 1996), Page 17
Rondeau, James, The Manhole Cover Project: A Gun Legacy, Catalogue Essay, Wadsworth Atheneum, (Oct., 1996)

1994
Environments Best of Category, I. D. Annual Design Review, (June, 1994), Page 109-112
The Aesthetic of Collaboration, New England Artist Trust, (Vol. 4, 1994)

1993
Hertz, Richard, Theories of Contemporary Art, Second Edition, (Englewood, NJ Prentice Hall, 1993)

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